Microtonal
music is made of notes "between the cracks" on an ordinary instrument.
On a piano, for example, each octave is (theoretically) divided into
twelve equal semi-tones or half-steps. This system of tuning is called
twelve-tone equal temperament because the intervals between the twelve
tones are equal, and it represents a tempering of the Pythagorean
scale, created by superimposing the 3:2 frequency intervals found among
the natural harmonics produced by
any object vibrating with a definable pitch. All the intervals in this
ancient scale are not equal, so they are tempered (their tuning is
changed slightly) to create twleve-tone equal temperament. Older
systems of temperament "averaged out" the Pythagorean scale in other
ways. Temperament
is a problem that musicians and theorists have confronted for centuries.
"Microtonal"
is a blanket term. It denotes any system of temperament, tuning or
music that
deviates from twelve-tone equal temperament. Notable composers of
microtonal music include Harry Partch, Ivor Darreg, Ben Johnston, Lou
Harrison, LaMonte Young, Terry Riley and Pauline Oliveros. Some
microtonalists compose music for instruments "detuned" according to
Just intonation, which contains only intervals with fundamental
frequencies in low-number or prime ratios. Some apply other equal
divisions to the octave e.g. 19tET (nineteen-tone equal temperament)
and 53tET to name two. And some create music based on the theoretical
non-division of the octave.
Some
composers of microtonal music make their own instruments. Harry Partch
earned his place as a modern pioneer building instruments on which to
perform his music and writing a book describing his system. He designed
and built the instrument above, called a Boo (it is made of bamboo), and the
one at right, called Cloud Chamber
Bowls. Ben
Johnston is known for piano pieces specifying that the piano be
"detuned" according to very precise instructions. Pauline Oliveros
plays a "detuned" accordion. With the advent of electronic instruments,
composers are able to create "detuned" scales with greater ease and
accuracy.
Some of
my music
is microtonal. I use computer programs, synthesizers
and samplers that can realize exact tuning specifications. I developed
a system of relating pitches to one another, based on relationships
between the harmonics of any naturally-occurring, pitched sound. My
dissertation is composed according to this system, and there is a paper
(in dire need of being updated in light of new deveopments) that
explains it: "Ratiotonic Temperament: A Proposal for the Organization
of Tones in Art Music as a 'Microtonal' Alternative to Twelve-Tone
Equal Temperament." Read it here, read a more contemporary and scholarly presentation of it here, and
feel free to e-mail me.
Microtonal Synthesis
A database of nearly every make, model or type of electronic instrument
ever heard of, in or out of production, listed according to their
microtonal capabilities
BIBLIOGRAPHY and DISCOGRAPHY Maintained by:
Huygens-Fokker Foundation's Centre for
Microtonal Music in Amsterdam -- includes a huge, well-maintained
clearing house of information and links on microtonal music.
Scala Home Page Scala
is software tool for experimentation with musical tunings.