Freshman Colloquium (“Enduring Questions”)* 13E
Spring 2013—Glen Helman

E-mail: helmang@wabash.edu

Office: Center 214, (765) 361-6334

My posted hours currently are 10-11 Monday and 2-3 Thursday (but this can change). In addition, you stand a good chance of finding me in my office whenever I am on campus and not teaching. My other classes meet at 9:00 and 2:10 MWF for the full semester and also at 1:10 MWF for the first half. On Tues. and Thurs., I usually arrive between 9 and 10, and I tend to leave every day between 5 and 6. (While I am in my office most noon hours, the noon hour is also a common time for meetings and other events, as is the afternoon after 4.)

Home: 1110 W. Main St., (765) 362-0428

This is your best bet evenings and weekends, but I’m sometimes in my office then.

Cell phone: (765) 366-0791

Texts

Texts available in the bookstore:

Stephen Mitchell (ed.), Gilgamesh (Free Press, 2004).

Mary Shelley, Frankenstein (Oxford Univ. Pr., 2008).

Wes Moore, The Other Wes Moore (Spiegel & Grau, 2011).

Plato (Grube, tr.), The Trial and Death of Socrates (Hackett, 2000).

Graham Greene, The Power and the Glory (Penguin Books, 1990).

Alan Moore and Dave Gibbons, Watchmen (DC Comics, 1986).

Philip Ivanhoe (tr.), The Daodejing of Laozi (Hackett, 2001).

William Placher, The Tradition We Inherit (Wabash College, 2009).

Texts and other material on Moodle (check the section E Moodle site first):

artists’ self portraits (PDF)

Descartes and Locke on people and animals (PDF)

Christine Korsgaard, “Facing the Animal You See in the Mirror” (PDF)

Augustine, Confessions, books 1 and 2 (PDF)

René Descartes, Discourse on Method, parts 1 and 2 (PDF)

Peter Berger, “Sociological Perspective—Society in Man,” ch. 5 of Invitation to Sociology (PDF)

V. S. Ramachandran, “The Neurons That Shaped Civilization,” ch. 4 of The Tell-Tale Brain (PDF)

Irving Goffman, selections from “Regions and Region Behavior,” ch. 3 of The Presentation of Self in Everyday Life (PDF)

Plato, Republic, selections (514a-517a, 519b-520e) from book 7 (PDF)

Protest songs (MP3 files)

Edward Abbey, “Polemic: Industrial Tourism and the National Parks” from Desert Solitaire: A Season in the Wilderness (PDF)

Michael Pollan, “The Omnivore’s Dilemma,” ch. 16 of The Omnivore’s Dilemma (PDF)

Showings and performance:

Blade Runner (movie)

Take Me Out (performance on campus)

Rabbit-Proof Fence (movie)

Food, Inc. (movie)

Grading

Requirements: (1) Four papers (the first 2-3 pp., the second and third 4-5 pp. each, and the last 6-8 pp. in length). I will specify the forms of these papers, but you will have substantial freedom of choice in the topics. (2) A number of less formal, shorter, and ungraded assignments. (3) Attendance and participation in class discussion. Your final grade will be based on these in the following way: 10%, 16%, 16%, and 25% for the papers and 33% for class participation (including completion of the ungraded assignments).

Discussion grading: The major factor in your participation grade will be your contributions to class discussion (which, of course, includes your attendance). When evaluating these contributions, I’ll pay most attention to the following activities (in rough order of importance):

asking questions

commenting on something someone else has said

working to draw people into the discussion

trying to answer others’ questions

reflecting on the direction of the discussion

Of course, contributing good ideas about whatever we are discussing counts for something, but it can provide the basis for any of the activities above. And using good ideas in these ways is what makes for real participation in discussion.

You will sometimes find that you haven’t been able to contribute as much as you wanted or in the way that you wanted. If so, you can submit a brief statement of “What I wish I had said.” This won’t count as much as saying the same thing in the discussion would have, but it will count for something. (It should reach me the same day as the discussion in question, and I’ll accept it only for discussions you actually attended.)

Attendance and due dates: To be excused from discussion, you will need a good reason (and the need to complete work for other classes is not a good reason). My standards for a good reason will be lower if you let me know in advance, and they may increase if you have been excused before. The due dates given for papers are default due dates, and I will be willing to negotiate and re-negotiate individual deadlines (within reason) if these are inconvenient. If you miss a deadline (either the default or one you have negotiated), I will expect you to contact me promptly to either turn in the work or arrange a new deadline. My standards for excusing missed deadlines are comparable to those for excusing missed class discussions after the fact, and unexcused missed deadlines will tend to affect your participation grade.

Calendar

The assignments below are approximate and tentative. There will sometimes be a reading guide that gives further details of the assignment and may include passages that are part of your assignment.

1/14  artists’ self portraits (on Moodle)
1/16  artists’ self portraits cont’d (on Moodle)assignment
1/18  students’ self portraitsassignment
1/21  students’ self portraits cont’dassignment
1/23  Gilgamesh, prol. and bks. I-VI (Mitchell, pp. 69-140)
1/25  Gilgamesh, bks. VII-XI (Mitchell, pp. 141-199)
1/28  Locke and Descartes on people and animals (on Moodle)
1/30  Blade Runner (movie)
2/1ppr 1 due Korsgaard, “Facing the Animal You See in the Mirror” (on Moodle)
2/4  Shelley, Frankenstein through ch. 8 (pp. 1-89)
2/6  Shelley, Frankenstein, chs. 9-17 (pp. 90-149)
2/8  Shelley, Frankenstein, chs. 18-24 (pp. 149-223)
2/11  Augustine, Confessions, bks. 1 and 2 (on Moodle)
2/13  Descartes, Discourse on Method, pts. 1 and 2 (on Moodle)
2/15  Berger, “Sociological Perspective—Society in Man” (on Moodle)
2/18  Ramachandran, “The Neurons That Shaped Civilization” (on Moodle)
2/20  Goffman, “Regions and Region Behavior” sels. (on Moodle)
2/22ppr 2 due Greenberg, Take Me Out (play on campus)
2/25  The Other Wes Moore, pt. 1 (pp. xi-xiv, 1-62)
2/27  The Other Wes Moore, pt. 2 (pp. 63-122)
3/1 The Other Wes Moore, pt. 3 (pp. 123-186, 243-248)
spring break
3/11  Plato, Republic, bk. 7 sels. (on Moodle)
3/13  Plato, Apology sels.: 17a-24b, 28a-32a, 35b-39d (Trial and Death of Socrates, pp. 20-27, 31-34, 37-41)
3/15  Plato, Crito (Trial and Death of Socrates, pp. 43-54)
3/18  Graham Greene, The Power and the Glory, pt. 1 (pp. 7-58)
3/20  Graham Greene, The Power and the Glory, pt. 2 (pp. 59-159)
3/22  Graham Greene, The Power and the Glory, pts. 3-4 (pp. 161-222)
3/25ppr 3 due protest songs (on Moodle)
3/27  protest songs cont’d (on Moodle)
3/29  Moore, Watchmen, chs. I-IV
4/1  Moore, Watchmen, chs. V-VIII
4/3  Moore, Watchmen, chs. IX-XII
4/5  The Daodejing of Laozi, bk. 1 (Ivanhoe, pp. 1-37)
4/8  Daodejing, bk. 2 (Ivanhoe, pp. 41-84)
4/10  Rabbit-Proof Fence (movie)
4/12  Abbey, “Polemic: Industrial Tourism and the National Parks” (on Moodle)
4/15  Food, Inc. (movie—also streaming: link on Moodle)
4/17  Pollan, “The Omnivore’s Dilemma” (on Moodle)
4/19  paper abstract discussions
4/22  paper abstract discussions
4/24  paper abstract discussions
4/26  paper abstract discussions; Placher, “A College’s Use of its Past” and “Wabash, 1907” (The Tradition We Inherit, pp. 14-21, 28-32)
exam week
5/2 (Thurs.) ppr 4 due

* The following has been offered as a description of what you might hope to accomplish in the course:

Over the course of the semester, you will refine your ability to consider carefully and critically the assigned texts and the questions that they raise. You will also practice listening to others as a central part of your learning.

You will think seriously about the questions posed during this course, and should have demonstrated such thinking through effective class discussion and completion of assigned papers and assignments.

You will therefore also become better discussants, having practiced various styles of oral presentation, including not just oppositional argument, but also how to build upon, extend, and refine your own and others’ arguments and to be self-reflective about the foundations on which your and others’ positions and questions are built.

You will also therefore continue to develop your skills as a writer (from the foundations laid in your Freshman Tutorial) as you explore the central questions of the class.

You will foster intellectual and social relationships with your fellow students, your instructor, and the broader Wabash community as we consider collectively these questions that matter.

As a result of the serious thought you give to the course readings, you will be inspired to further thinking and discussion with others about the same questions, and new questions, and to exploration of the specific instantiations of those questions, more or less general, that interest you most, both in your remaining college career and throughout the rest of your life. In other words, you should continue to wrestle with enduring questions.

Finally, you will have fun this semester.